Relevance Of The Beautiful And Other Essays

Relevance Of The Beautiful And Other Essays-80
His judgments as he reads are of this kind: My God! In adolescence we realize that there are different kinds of pleasure, some of which cannot be enjoyed simultaneously, but we need help from others in defining them.Whether it be a matter of taste in food or taste in literature, the adolescent looks for a mentor in whose authority he can believe. Aft No* for TUtlkt MAIIl Mld be As cwl*4«| jwwge is ke^ oveiwbt^ t'befo M the date last staniwd ixiow. for selections from The Bor^i Book of French Folk Tales, edited by Paul Delarue. for selection from The Collected Poems of Marianne Moore. The trouble about writing commissioned criticism is that the relation between form and content is arbitrary; a lecture must take fifty-five minutes to deliver, an introduction must be so and so many thousand, a review so and so many hundred words long.

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We often derive much profit from reading a hook in a differ- ent way from that which its author intended but only (once childhood is over) if we know that we are doing so.

As readers, most of us, to some degree, are like those urchins who pencil mustaches on the faces of girls in advertisements.

In a new author, we tend to see either only his virtues or only his defects and, even if we do see both, we cannot see the rela- tion between them.

In the case of an established author, if we can still read him at all, we know that we cannot enjoy the virtues we admire in him without tolerating the defects we deplore.

Thames & Hudson for selections from Tales of the Hasidim by Martin Buber. I should like to thank the various publishers, editors, college authorities and, not least, the ladies and gentlemen who voted me into the Chair of Poetry at Oxford University, but for whose generosity and support I should never have been able to pay my bills.

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Princeton University Press for selection from Mimesis by Eric Auerbach. Secker & Warburg for selection from “The Burrow" from The Great Wall of China by Franz Kafka. Mercy Sohn, Prague; copyright 1946, 1948 by Schocken Books, Inc. Helen Thomas for lines from “Home" by Edward Thomas. Law^rence, Copyright 1929 by Jonathan Cape and Harrison Smith and 1957 by Frieda Lawrence Ravagli; for selections from Birds, Beasts and Flowfers by D. On the other hand, I have never written a line of criticism except in response to a demand by others for a lecture, an introduction, a review, etc.; though I hope that some love went into their writing, I wrote them because I needed the money.Bertrand Arthur William Russell, 3rd Earl Russell (May 18, 1872 – February 2, 1970) was a British philosopher, logician, mathematician, historian, and social critic.In 1950, he was awarded a Nobel Prize in Literature.People scarcely realize in imagination that the danger is to themselves and their children and their grandchildren, and not only to a dimly apprehended humanity.They can scarcely bring themselves to grasp that they, individually, and those whom they love are in imminent danger of perishing agonizingly.It is difficult to overstate the extent to which Russell's thought dominated twentieth century analytic philosophy: virtually every strand in its development either originated with him or was transformed by being transmitted through him.~ Nicholas Griffin He was the most fascinating man I have ever known, the only man I ever loved, the greatest man I shall ever meet, the wittiest, the gayest, the most charming. Moreover, our judgment of an established author is never simply an aesthetic judgment. In literature, vulgarity is preferable to nullity, just as grocer’s port is preferable to distilled water.In addition to any literary merit it may have, a new book by him has a historic interest for us as the act of a person in whom we have long been interested. Good taste is much more a matter of discrimination than of exclusion, and when good taste feels compelled to exclude, it is with regret, not with pleasure.The order of the chapters, however, is deliberate, and I would like them to be read in sequence. A bad reader is like a bad translator: he interprets literally when he ought to paraphrase and paraphrases when Prologue 4 ] he ought to interpret literally.In learning to read well, scholar- ship, valuable as it is, is less important than instinct; some great scholars have been poor translators.

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