Moulin Rouge Essay

When the eponymous red curtain opens, it reveals a world that is in equal parts circus, pantomime, drag show, carnival, theatrical chaos and bordello.

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The fates conspire to throw these Christian and Satine together, but the fates are once again cruel, for Satine is dying of consumption As the passion play takes shape, so does the love between Satine and Christian, leading to an inevitable showdown between the Duke and him. Within the film Moulin Rouge the character of Satine is defined by her relationship with men and their behavior towards her. As the owner of the Moulin Rouge, Harold Zidler takes on the role as the father figure to Satine. Although Zidler seems to control Satine, as the star of the Moulin Rouge it is evident she also has power over him. Individually they represent great assets to one another, and in turn work together to build the Moulin Rouge into a successful theatre. As Satine performs at the Moulin Rouge the audience is introduced to the Duke. Baz Luhrmann directed such films as Strictly Ballroom, Romeo and Juliet and the musical Moulin Rouge. In Moulin Rouge commences with the opening of a red theatre curtain. Moulin Rouge is obviously set in the world of the "Moulin Rouge" and as with Strictly Ballroom when we do leave the confines of the Moulin Rouge the shot is totally devoid of all colour. Like Strictly Ballroom, Moulin Rouge has vast contrasts in colour especially when there are scenes outside the world of the Moulin Rouge. Moulin Rouge also provides some gaudy characters who supply a lot of amusement. Click on the ‘Read associated essay’ link in the right hand menu to read a statement by the photographer.We use cookies to make interactions with our website easy and meaningful, to better understand the use of our services, and to tailor advertising.This is a dress-up world, a debauched theatrical masquerade party heightened by the fantasy of the past; it positively revels in the burlesque carnival of its own fancy.The excesses exist in the sheer numbers of different costumes on show, all clashing and competing with each other and producing a form of textural saturation that is quite overwhelming from a spectatorial position.Dress contributes significantly to the evocation of this world, and in many ways it is the costumes, as much as the actors and songs, that are the stars of the show.The film riotously celebrates the fabrics, textures, drapery, luxury and sheer pleasures of an exotic and richly drawn sartorial world.However, the conservatism of the narrative belies the complexity and sheer audacity of the project.As Feuer (2002) has argued, the musical is an inherently reflexive form, focusing as it does on the whimsicality of its own constructions.It is a vision of compelling musical choices, lightning fast edits and supersaturated colors, with a pair of stars whose chemistry will make the most jaded of us believe in love again.The movie takes us to the Mont Martre section of Paris, where the young writer Christian (Ewan Mc Gregor) has gone to find love and the bohemian way of life at the Moulin Rouge, the infamous Parisian nightclub of can-can fame.


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