Leonardo did not seriously study Latin, the key language of traditional learning, until much later, when he acquired a working knowledge of it on his own.He also did not apply himself to higher mathematics—advanced geometry and arithmetic—until he was 30 years old, when he began to study it with diligent tenacity. In Verrocchio’s renowned workshop Leonardo received a multifaceted training that included painting and sculpture as well as the technical-mechanical arts.He was also frequently consulted as a technical adviser in the fields of architecture, fortifications, and military matters, and he served as a hydraulic and mechanical engineer.Tags: Essay On Responsibility YahooAnalytical Essay On PleasantvilleMaruti Suzuki Marketing Strategy Essays2012 Unesco International Essay For Young PeopleTheme Park Business PlanFinishing Your DissertationSociology Term Paper AhaWeb Tools For Critical ThinkingEnglish Term PaperEssay About Your Life
He applied his creativity to every realm in which graphic representation is used: he was a painter, sculptor, architect, and engineer. He used his superb intellect, unusual powers of observation, and mastery of the art of Leonardo’s parents were unmarried at the time of his birth.
Leonardo grew up on his father’s family’s estate, where he was treated as a “legitimate” son and received the usual elementary education of that day: reading, writing, and arithmetic.
(According to contemporary sources, Leonardo was commissioned to create three more pictures, but these works have since disappeared or were never done.) From about 1483 to 1486, he worked on the altar painting , a project that led to 10 years of litigation between the Confraternity of the Immaculate Conception, which commissioned it, and Leonardo; for uncertain purposes, this legal dispute led Leonardo to create another version of the work in about 1508.
During this first Milanese period he also made one of his most famous works, the monumental wall painting During this period Leonardo worked on a grandiose sculptural project that seems to have been the real reason he was invited to Milan: a monumental equestrian statue in bronze to be erected in honour of Francesco Sforza, the founder of the Sforza dynasty.
In 1472 Leonardo was accepted into the painters’ guild of Florence, but he remained in his teacher’s workshop for five more years, after which time he worked independently in Florence until 1481.
The unique fame that Leonardo enjoyed in his lifetime and that, filtered by historical criticism, has remained undimmed to the present day rests largely on his unlimited desire for knowledge, which guided all his thinking and behaviour.
Leonardo never married, but he had many close relationships with other artists and intellectuals as well as with his assistants.
When Leonardo was about 15, his father, who enjoyed a high reputation in the Florentine community, apprenticed him to artist Andrea del Verrocchio.
His father, Ser Piero, was a Florentine notary and landlord, and his mother, Caterina, was a young peasant woman who shortly thereafter married an artisan.
Leonardo grew up on his father’s family’s estate, where he was treated as a “legitimate” son and received the usual elementary education of the day: reading, writing, and arithmetic.