Girl With A Pearl Earring Theme Essay

The novel centers on Griet, the Protestant daughter of a Delft tile painter who lost his sight in a kiln accident.In order to bring income to her struggling family, Griet must work as a maid for a more financially sound family.Initially intending to attend one semester abroad, she studied for a semester and never returned.

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The painting was part of a visiting exhibit of fifteen paintings from the Dutch Golden Age on loan from the Mauritshuis in Amsterdam. The renovation is now complete and by all accounts a great success. But for over two centuries she was a waif much neglected.

When it came up for auction in the nineteenth century, only two persons recognized that the painting was a Vermeer.

INTRODUCTION About the Book In mid-career, the renowned 17th-century Baroque artist Johannes Vermeer painted "Girl with a Pearl Earring," which has been called the Dutch Mona Lisa.

Girl with a Pearl Earring tells the story behind the advent of this famous painting, all the while depicting life in 17th-century Delft, a small Dutch city with a burgeoning art community.

Tracy Chevalier achieves all this and more, keeping her audience wondering what the novel's outcome will bring as well as what facts their art history texts hold.

Readers and art lovers alike will find this novel engaging, evocative, and insightful. C., Tracy Chevalier moved to England in 1984 after graduating from Oberlin College in Ohio. She lives in London with her husband and son and hopes to see all of Vermeer's 35 known paintings in her lifetime (thus far, she's seen 28 of them).

The novel both recognizes the painting's historic and artistic intensity and monopolizes on that intensity to create a fascinating story of a young girl in a small city during a unique period of time.

Few authors could make the leaps necessary to enliven a centuries-old painting for modern readers.

Recognizing Griet's talents, Vermeer takes her on as his studio assistant and surreptitiously teaches her to grind paints and develop color palettes in the remote attic.

Though reluctant to overstep her boundaries in the cagey Vermeer household, Griet is overjoyed both to work with her intriguing master and to lend some breath to her natural inclinations – colors and composition – neither of which she had ever been able to develop.


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